Pro Audio

Whether it’s broadcast, podcast or recording, voices need to be handled with care. When purified and polished, every detail has more impact. That’s why the SM7B was built, to capture smooth, warm vocals that connect the speaker to the listener.

The wide-range frequency response of the SM7B preserves the natural beauty of the sound it captures. With its detailed audio profile, words may travel far, but they always arrive at their destination with quality and clarity intact.

The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording instruments.

Featuring a number of optimizations for spoken word and vocal capture, the BP40 Large-Diaphragm Dynamic Broadcast Microphone from Audio-Technica boasts a hypercardioid polar pattern for strong off-axis rejection, and its voice coil is humbucking to prevent electromagnetic interference.

• Technically-advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics
• Externally polarized (DC bias) true condenser design
• Exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility
• Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients
• Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity
• Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections
• State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards
• Switchable 80 Hz hi-pass filter and 10 dB pad
• Includes AT8449 shock mount

AT4040 Specifications
Element			Dynamic Range (Typical)
	Condenser		133 dB, 1 kHz at Max. SPL
Polar Pattern		Phantom Power Requirements
	Cardioid		48V
Frequency Response		Switches
	20 - 20,000 Hz		10 dB pad; roll-off
Open Circuit Sensitivity		Low Frequency Roll-off
	-32 dB (25.1 mV), ±2 dB re 1V at 1 Pa		80 Hz, 12 dB per octave
Impedance		Weight
	100 ohms		12.7 oz (360 g)
Maximum Input Sound Level		Output Connector
	145 dB SPL, 1 kHz at 1% T.H.D.		XLRM-type
Signal to Noise Ratio
	82 dB, 1 kHz at 1 Pa

 

Instrumental microphone combines an integrated preamplifier with a miniature condenser capsule to provide a smooth response for percussion. It features a flexible gooseneck and the A75M microphone mount for secure placement in many configurations.

The sE2200 is the latest version of the award-winning cardioid condenser microphone that put sE Electronics on the map many years ago with its smooth, polished sound for vocals, voiceovers, and numerous instrumental applications.
Made famous through use with world-class vocal artists like Amy Winehouse, it revives the spirit of classic studio microphones, and still remains a standard in mic lockers around the world.

Given the revered status of its predecessors, sE has remained true to the original capsule design, custom-built transformer and class-A circuit topologies, so it’s still the same condenser microphone loved by a whole generation of engineers.
An older version sE2200a.

State-of-the-art components and a shorter, optimized signal path provide even better noise performance & clarity, new pad & filter options increase its versatility, and the fit & finish has been updated with sE’s latest manufacturing techniques - but the sE2200 retains all the classic sound of the original.

HANDCRAFTED 1" TRUE CONDENSER CAPSULE
Although the sE2200 is a cardioid-only microphone, two (instead of one) gold-sputtered diaphragms are used to ensure best possible acoustic performance.

Built like the world’s finest musical instruments, every capsule is hand-crafted and individually tuned in our very own factory in Shanghai - and unlike other microphones with backplate or electret designs, the sE2200 features a true externally polarized condenser capsule, and therefore delivers the best possible performance in every aspect.

TRADITIONAL CLASS-A ELECTRONIC DESIGN
Its carefully selected, discrete components ensure brilliant sound quality on any source. The sE2200’s design still avoids using any ICs (integrated circuits) and is built to excel – not to a standard. Low noise, consistent performance and high sensitivity is provided by state-of-the-art surface-mounted electronic components with extremely tight tolerances.

TWO SWITCHABLE ATTENUATION LEVELS & LOW-CUT FILTERS
The -10 dB and -20 dB pad switches provide extended dynamic range, enabling a wide variety of applications and close-mic techniques for even the loudest instruments...think super-heavy electric guitars, fortissimo brass instruments, and heavy-footed kick drums.

Selectable at either 80Hz or 160Hz, the two low-cut filters help eliminate low-frequency rumble or footfall noise, as well as help compensate for excessive bass (proximity effect) with close-mic techniques.

CUSTOM-BUILT OUTPUT TRANSFORMER
Reviving the spirit of classic studio microphones, the sE2200’s custom transformer provides superb depth & weight to the overall sonic image, and the massively shielded metal housing ensures noise-free operation.

ALL-METAL HOUSING & PREMIUM FINISH
Unlike the cheaply constructed bodies of some other affordable microphones, the sE2200's all-metal chassis provides efficient rejection of any electrical interference and noise - and the high-quality finish ensures a great look for years to come.

GOLD-PLATED XLR CONNECTOR
Ensures loss-free, reliable signal connection for years and years and years and...

THE ISOLATION PACK
For situations where greater rumble control and ‘plosive protection is desired, this bundle also includes sE’s Isolation Pack. With the twist of a single knob, the mount attaches quickly and securely to the microphone, and is removable with the same simple motion. This allows the mic to be set up quickly and easily - no adjustments, no hassle.

The Isolation Pack also comes equipped with sE's curved metal pop filter, which efficiently slots in to the shockmount and is vertically adjustable for best performance.

The PreSonus DM-7 drum mic set gives you everything you need to authentically capture your drum kit and just about any other instrument you like.

The CAD Stage7 Drum Microphone Pack is an affordable 7-piece drum microphone package well suited for performing, rehearsing, and project recording.

The DynaCaster Dynamic Broadcast Microphone from sE Electronics is an all-in-one compact system with game-changing V Series capsule technology, turbo-charged with DYNAMITE intended for studio use!

Whether you are hosting a podcast, live streaming or gaming with friends, the DynaCaster's integrated DYNAMITE preamp and discreet 3-layer pop filter makes it a modern studio companion with an undetectable footprint.

Based on the proven capsule technology of the acclaimed V Series dynamics, the DynaCaster's DMC8 cardioid capsule captures natural and intimate sound quality for singers, podcasters, livestreamers, musicians, engineers and producers alike.

The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.

• Three switchable polar patterns: omni, cardioid, figure-of-eight

• Switchable 80 Hz high-pass filter and 10 dB pad

• Large diaphragm for smooth, natural sound and low noise

• State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards

• Includes shock mount & protective pouch

 

ELEMENT Externally-polarized (DC bias) condenser
POLAR PATTERNS Cardioid,
Omnidirectional,
Figure-of-Eight
FREQUENCY RESPONSE 20-20,000 Hz
LOW FREQUENCY ROLL-OFF 80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY –42 dB (7.9 mV) re 1V at 1 Pa
IMPEDANCE 120 ohms
MAXIMUM INPUT SOUND LEVEL 149 dB SPL, 1 kHz at 1% T.H.D.;
159 dB SPL, with 10 dB pad (nominal)
NOISE 17 dB SPL
DYNAMIC RANGE (typical) 132 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO 77 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS 11-52V DC, 4.7 mA typical
SWITCHES Polar selection;
Flat, roll-off;
10 dB pad (nominal)
WEIGHT 412 g (14.5 oz)
DIMENSIONS 170.0 mm (6.69") long,
52.0 mm (2.05") maximum body diameter
OUTPUT CONNECTORS Integral 3-pin XLRM-type
ACCESSORIES FURNISHED AT8458 shock mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
AUDIO-TECHNICA CASE STYLE R5

 

The new BLUETUBE DP two channel microphone/instrument preamplifier with Dual Path technology delivers the best of both worlds offering a solid state preamplifier stage and a tube preamplifier stage in each channel. This new Dual Path feature delivers the most flexible preamplifier in its price range by delivering both fat warm tube tone or invisible solid state transparency. The BLUETUBE DP replaces the original award-winning BLUETUBE as PreSonus' most affordable two-channel microphone/instrument preamplifier.

Each channel of the BLUETUBE DP includes a -20dB pad, polarity reverse, 80Hz filter, and +48v phantom power. Front panel controls include solid state GAIN control and switchable on/off TUBE DRIVE. When the TUBE DRIVE is clicked off, the tube preamplifier stage is bypassed delivering ultra-quiet and transparent preamplification. The front panel also includes illuminated analog VU meters for each channel for easy visual monitoring.

The BLUETUBE DP's inputs are professional-quality Neutrik Combo connectors for inputting both XLR and 1/4" TS sources. Outputs include both XLR and TS jacks allowing for ultimate flexibility.

The PreSonus BLUETUBE Dual Path is great for enhancing all types of microphones including condensors, dynamics and ribbons, as well as instruments including keyboards, acoustic and electric guitars and bass. The BLUETUBE DP is the perfect front-end preamplifier for any project studio delivering a wide range of sounds and tonality all at an amazingly affordable price.

FEATURES
Stereo Dual Path Mic/Instrument Preamp Using 12AX7 Tube
High Headroom, Class A Gain Stage
XLR and ¼ High-Z Neutrik® Input Combo Connectors
Balanced XLR and ¼ TS Neutrik® Output Connectors
20dB Pad/ Polarity Reversal/ 80Hz Filter on Each Channel
Two Illuminated Analog VU Meters
Great as a DI for Bass and Guitar

Input

Connector Type
Neutrik™ Combo

XLR Impedance
1.3K Ohms

Hi-Z, 1/4"
1 Meg Ohms


Output

Connector Type
XLR and 1/4" TS

Impedance 51 Ohms

Panel Controls

Gain
0dB to +54dB

Tube Drive
0% to 100%

Phase Reversal

-20dB Pad

Phantom Power

Performance


THD  Noise (Unweighted) Solid State
< 0.005%

THD  Noise (Unweighted) Tube stage 0.01% to 30%
Signal To Noise
>95dB

Power Supply Rejection
>98dB

Meters

Analog VU
-2odBu to +6dBu

Clip Indicator +22dBu

Physical

Weight
4lbs

Dimensions
8" x 5" x 1.75"

Mounting
Universal rack tray insert

Power Supply

Type
Linear

Input
16VAC / 1000mA

Power 16 Watts

Transformer
External