Taylor

Newly consolidated with the 814ce DLX, Taylor's flagship Grand Auditorium retains all of its sonic power with new features devoted to a smoother playing experience and updated aesthetics.

A marvel of scaled-down design, the GS Mini is a fun little acoustic cannon that has taken the world by storm.

Sporting a rich, full voice that belies its compact size, the Mini is ultra-portable, yet just as comfortable to cradle in the comfort of your home, making it the ultimate modern-day parlor guitar.

Featuring the easy-playing, patented Taylor neck, this edition of the Mini incorporates a solid mahogany top that yields a strong, evenly balanced response for lively strumming. 

A scaled-down GS that’s anything but small.

Tropical Mahogany Top Woods
The hardwood top produces strong fundamentals with clarity and focus.

Layered Sapele Body Woods
Layered wood construction is used to offer attractive, durable and affordable models.

ES-Go Electronics
This aftermarket pickup was custom-designed for the GS Mini.

Non-Cutaway
The clean, symmetrical look of a traditional acoustic guitar.

For decades, our sapele/spruce Grand Auditorium 314ce has been a player favorite thanks to its workhorse utility and the rich tone of its all-solid-wood body.

Our 200 Series has been a hit with all types of guitar players, from the new player to the experienced pro.

Built with a solid spruce top and layered sapele back and sides, the compact, inviting Academy 12e offers an approachable playing experience for guitarists of all skill levels. The solid top serves up bold sound with plenty of projection, while the armrest carved into the lower bout makes for a more comfortable feel for your strumming arm.

Crafted to deliver the ultimate playing experience, the Builder's Edition K24ce blends a refined, ergonomic playing experience with premium tonewoods and a textured, vibrant acoustic sound.

Sitka spruce and maple woods produce beautiful tones and aesthetic.
Taylor's Master Guitar Designer, Andy Powers, conceived the Builder's Edition to combine Old World aesthetic qualities with the latest Taylor innovations. Drawing inspiration from hundreds of years of orchestral stringed instrument design this version features a torrefied Sitka spruce top with solid maple back and sides. The Builder's Edition is essentially Andy's "Director's Cut" edition with additional playing features and a distinct visual aesthetic. The feature set unique to the Builder's Edition 614ce: beveled armrest, beveled "Contour" cutaway with neck heel contouring for clear access to the entire fretboard, Curve Wing bridge, "Silent Satin" finish to alleviate noise from direct contact with the body finish, mother-of-pearl "Scepter" fretboard inlays, silver side dots, inlaid maple body purfling (top and back), and premium Gotoh tuners with 21:1 ratio.

Another key featured is Taylor's innovative V-Class bracing which brings enhanced volume, sustain and "in-tune-ness" to the instrument. Taylor also builds this model keeping in mind that maple is a sustainably-managed North American timber, with efforts in place to propagate maple for future generations of guitar lovers. The 614ce V-Class guitar ships with Taylor Expression System 2 electronics, and comes in a Taylor deluxe hardshell case for optimal fit and protection.

Body Shape A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.

Tone Wood Pairing A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. 600 Series guitars feature a special seasoning process for the spruce top called torrefaction, a method of roasting the wood to produce an aged tonal character with greater acoustic resonance and responsiveness. Traditionally known for having a focused tone with a fast note decay that cuts through a mix, maple (back and sides) guitars have been voiced to produce greater warmth, complexity, volume, sustain and responsiveness, while retaining maple's naturally clear, linear qualities. The clarity of the high end is still there, but the bottom end has been extended.

The result is a more multi-dimensional sound that gives players the kind of musical versatility of other classic tonewoods, making the maple models a compelling choice as a primary guitar, not just a stage guitar. Maple guitars are voiced to be very reflective of the player's technique, so a player with a dynamic playing style or someone who likes to vary their picking attack will appreciate how easily those playing nuances come through in the tonal response.

Electronics Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor's ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor's patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in.

Together with Taylor's custom-designed "professional audio"-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.

Other Features Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience.

Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.


Body

• Body type: Taylor Grand Auditorium
• Cutaway: Yes - Venetian
• Top wood: Solid torrefied Sitka spruce
• Back & sides: Solid Figured Big Leaf Maple
• Bracing pattern: Taylor V-Class Bracing with Relief Rout
• Body finish: Silent Satin Finish
• Orientation: Right-Handed

Neck

• Neck shape: Taylor Standard Profile
• Nut width: 1-3/4" (44.5mm)
• Fingerboard: Genuine West African Ebony
• Neck wood: Hard Rock Maple
• Scale length: 25-1/2"
• Number of frets: 20
• Neck finish: Satin

Electronics

• Pickup/preamp: Expression System 2 Professional Audio-Grade
• Brand: Taylor
• Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
• Preamp EQ: Volume, Active Bass and Treble
• Feedback filter: Onboard Phase Switch
• Tuner: None

Other

• Headstock overlay: Genuine West African Ebony
• Tuning machines: Gotoh Antique Gold Tuners with Gold Buttons
• Bridge: Genuine West African Ebony
• Saddle & nut: Micarta "Wave" Saddle; Teflon-Infused Graphite Nut
• Number of strings: 6
• Special features: V-Class Bracing, Contoured Cutaway, Beveled Armrest
• Case: Taylor Deluxe Hard Shell Case
• Accessories: None
• Country of origin: USA

One of the distinctive traits of maple as a tonewood is its sonic transparency, which makes it wonderfully player-reflective.

On this maple/spruce 614ce, a specially roasted Sitka spruce top and our tone-enhancing V-Class bracing take that natural versatility to a whole new level. Whatever the player brings to the guitar comes through—it can be played to sound warm or bright. The roasting process for the top elicits a more played-in tone, and together with the V-Class bracing gives the player a more expressive tool in the form of increased dynamic range, greater projection, longer sustaining notes, and more harmonic agreement with chords up the entire fretboard.

The 614ce also stands out as one of the most touch-sensitive models in the entire Taylor acoustic line. Whether you play fingerstyle arrangements or strum in alternate tunings, whatever your preferred musical style, this guitar pays musical dividends on what you put into it. Aesthetic touches include a hand-rubbed Brown Sugar stain that highlights the rich figure of the maple back and sides, along with ebony binding, a paua abalone rosette trimmed with ebony and ivoroid, and our Wings fretboard and peghead inlays in grained ivoroid. The guitar ships with ES2 electronics in a deluxe hardshell case.

With its deep, expansive voice and extraordinary projection, the Gold Label 517e adds a powerful new dimension to the Gold Label Collection.

Featuring a golden-brown burst on the soundboard, the Gold Label 517e SB exudes visual charm that reflects its old-school sonic personality. This reimagined Grand Pacific—updated with a deeper body than our original round-shoulder dreadnought—is a powerhouse acoustic-electric with exceptional low-end power. Solid mahogany back and sides are paired with a torrefied Sitka spruce top for a woody, earthy voice with pleasing midrange character.

Featuring solid mahogany back, sides and top, the Grand Auditorium 324ce serves up a remarkably balanced tone profile in a package that also offers a relaxed feel.

For fans of mahogany acoustic guitars, the Taylor 322ce offers a exceptional balance of tonal focus, midrange punch and note-to-note articulation, making it an especially great choice for fingerstyle players and guitarists who spend time in the studio.