JHS Pedals
22 products
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22 products
The JHS Pedals Morning Glory is undoubtedly the company's most well-known overdrive pedal, winning more awards and receiving more accolades than any of its other designs. Engineers worked hard to make it one of the most transparent overdrives out there.
The 3 Series Bitcrusher is designed to deliver precise digital destruction, giving players direct control over bit depth reduction, sample rate reduction, and filtering. From subtle texture to full-on digital collapse, this pedal makes it easy to dial in everything from grainy lo-fi character to aggressive gated distortion.
JHS Pedals is proud to release the Paul Gilbert signature distortion "PG-14!”
This is a new and unique distortion pedal specifically designed to Paul's specifications.
At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier.
This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels.
The Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory.
Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres.
And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain.
If you are a glutton for high-gain overdrive/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life.
FURIOUS-SOUNDING AMP IN A BOX
Turn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.
- Turns any amp into a screaming Marshall stack
- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob
- Drive and Volume control interact the same as a master volume amp head
- Back off your guitar’s volume to control your gain levels without losing clarity
MARSHALL-STYLE TONE STACK
After a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control. So we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!
- Fine-tune your tone with controls for Bass, Middle, and Treble
- Active controls boost and cut their selected frequencies
VERSION HISTORY:
V1 = larger enclosure and 3 controls, no presence control
V2 = changed to current production size enclosure and look. presence control added.
V3 = color changed to red, added 3 band tone stack, 5 controls total
The controls are simple!
Level control adjusts the overall output of the circuit and lets you cut or boost the signal, giving this pedal much more volume on tap.
Gain control adjusts the amount of gain inside the overdrive circuit. Turning up the “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive.
An added slider switch, which wasn’t included with the original DOD 250 puts this pedal over the top!
It was a DOD Overdrive / Preamp that predated the “Gray Box” 250 pedals that everyone– myself included –had assumed were the first version ever made. The pedal was encased in a large gray folded metal enclosure that resembled Electro-Harmonix more than DOD, and it was conspicuously lacking the “250” model number. The typeset and DOD logo were different, but it still had the same charm and quirky feel of the vintage 1970s DOD. The sticker on the pedal’s backplate said “DOD Electronics Company” and listed the home address of founder David Oreste Di Francesco, as well as a number: 75. According to my interview with David himself a year later, I had found the 75th DOD pedal ever made and one of the first ten DOD Overdrive / Preamps (250) ever sold. This stompbox represented the genesis of “America’s Pedal.” For a pedal historian, it was the equivalent of uncovering the Dead Sea Scrolls.
The internals featured a floating/loose hand-etched PCB and the same DOD 250 circuit, but with a few changes. The internal parts dated as early as 1972 and, according to David, were harvested from old radios and electronics he scavenged when he started building his first effects.
The JHS Overdrive Preamp is a faithful replication of this unobtainable V1 of DOD’s most loved pedal. The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive. We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself.
This “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain/grit overall and more unique low/mids. This is a must-have addition to any DOD collector’s lineup, or for anyone who's curious about how it all started.
The standard Overdrive / Preamp will be part of our normal JHS lineup. Buy yours today and experience the history of one of the greatest overdrive/preamp circuits ever made.
The JHS Pedals 3 Series Ring Modulator delivers the full range of ring modulation, from subtle harmonic movement to aggressive metallic textures, all in a straightforward and accessible design. Whether you want a barely-there layer under a solo or a wild, experimental modulation voice, this pedal gives you the tools to shape the effect quickly and musically.
The JHS Pedals 3 Series Glitch Delay is a unique delay pedal built around one captivating idea: time-based glitching. Inspired by the legendary Line 6 DL-4 and the ambient, smeared delay textures popularized by Bill Frisell, this pedal delivers evolving, unpredictable repeats while keeping your core delay timing intact.
The JHS Pedals 3 Series delivers affordability and simplicity without sacrificing quality. Built in Kansas City, MO, each pedal features three controls and a toggle, offering a versatile range of tones for players of all levels. Designed to inspire creativity, the 3 Series makes premium sound accessible.
The JHS Pedals 3 Series delivers simplicity and affordability without compromising quality. Built in Kansas City, MO, each pedal features three controls and a toggle, offering a versatile range of sounds for all players. Designed to inspire creativity, the 3 Series makes premium tone accessible.
The JHS Pedals 3 Series offers simplicity and affordability without sacrificing quality. Built in Kansas City, MO, each pedal features three controls and a toggle, delivering a wide range of tones for players of all levels. Designed to inspire creativity, the 3 Series makes high-quality sound accessible.
The JHS Pedals 3 Series Screamer effects pedal delivers the best of the classic JHS Tube Screamer “Strong Mod” in an accessible package. Enjoy more clean headroom, better usability as a boost, more versatile drive and tone controls, as well as a more pleasing frequency response. The 3 Series Screamer has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. It runs on 9V DC negative center power and consumes 12mA. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and careful attention to every detail.
